Shock and awe, ringing ears, and profuse swearing – key elements that made the National Theatre of Scotland’s production of Black Watch simply captivating.
I know what you’re thinking, nothing is that good, these statements are like the drivel on film posters “A Must See!!!” or “Two Thumbs Up.” In this instance, the production (it’s more than a play, and I certainly wouldn’t detract from it by calling it a musical) in parts rivals the impact one would get at a screening of an action film. It’s the real deal, and as one of the reviews said, “Beg, steal or borrow to get yourself a ticket,” The News of the World.
From the moment of seating in the Sidney Harman Hall at the Shakespeare Theatre, one is in the midst of the action, loud bagpipes play and roboscans fill the stage; which I would characterise as abbreviated in the round, audience seating behind what would be the traditional proscenium, and also in the expected area in front of the stage. With the troops wagon on stage right and scaffolding on either side, one had a real sense of depth on an otherwise bare stage. Suspension of disbelief was not an issue here. Continue reading